I’ve just had the privilege of spending a week on the Scottish coast at a workshop led by Gillian Lee Smith, an incredible artist and teacher. The workshop was held in Gardenstown, an impossibly tiny and adorable village with one pub, one cafe, and no mobile phone reception.
We started the week with a lot of outdoor sketching. The Scottish weather was unusually good for this, and the Gardenstown scenery provided plenty of subject matter.
Every day in the studio Gillian did a demonstration of one of her techniques. We started with a mixed-media process which involved drawing into a clear oilbar base, which produced a lovely line quality.
Later in the week we moved onto pastels and then painting. It’s impressive how much we did in just five days in the studio.
Gardenstown itself provided an idyllic setting for the workshop. Its smallness and relative isolation meant there were few distractions, allowing me to focus on artwork in a way I never quite manage at home. Most nights I was dreaming about drawing. The only road out of town is up an impossibly steep hill, although it is possible to walk to the next (even smaller) coastal town of Crovie along a path that runs along the shore. The locals were friendly and welcoming, and happy to chat with us on the beach or in the pub. Edinburgh feels like a booming metropolis in comparison.
Now that I’m back in my home studio, I hope to be able to hold on to the inspiration and artistic momentum that Gillian’s workshop provided. I’ve returned with hundreds of photos and dozens of sketches to work from.
I’ll be exhibiting several of the pieces I made in Gardestown at the 3 Harbours Arts Festival which starts at the end of May.
Oh Julie, what a lovely post. Your sketches are excellent; there are several here that I did not see in Gardenstown and your photographs are excellent as well. I can see that getting up and out earlier than I did served you well. So glad you are keeping up the momentum.
Thanks, Judy. It was wonderful to meet you there.